This is a typical indie-filmmaker piracy story.
Independent filmmakers make a low-budget movie only to be raped by pirates.
As much as indie filmmakers try, without the deep pockets and corporate studio team work of shutting-down these pirate sites, there is just about no way to win the war of piracy. I really feel for the filmmakers as I have had several filmmaking friends experience just the same, yet they never had resources to fight the piracy.
The CASE Act is bad law to begin with. It is clear the trial lawyers’ lobby is involved behind-the-scenes, because of the limit of $30,000 in damages, which is non-contestable after-hearing at an administrative board. That ain’t even a reals court. Just a desk, a few chairs, and some lacky lawyer who calls themselves The Judge. Oh, except in class action lawsuits, the rules change. Funny, isn’t it?
Here is what the CASE Act is supposed to do:
I doubt this law will ever make it out of the Senate where it sits as of this date. America is a dumpster fire right now and Congress set it.
The sad thing I do know from my 37-years in this industry are the No. 1 pirates of movies, wait for it… live and work in Hollywood. Yep. I have seen pirates all my career. They feel entitled because they did not create the work which they pirated. They feel entitled because they “work” in the industry. They have a “backstage pass.”
I know friends of mine, who do not work in the industry, who pirate content. And, see no issue with stealing from filmmakers.
I know friends of mine, who work in the industry, who pirate content. And, see no issue with stealing from filmmakers.
The No. 1 excuse, which is never told to me directly, is, “F! the man in Hollywood.” Or, some words to that effect.
Until there is a death penalty attached to piracy, such as these filmmakers have experienced, this CASE Act won’t do much, if anything.